Jean François Lyotard, who is credited with first applying the term “postmodern” to the world of philosophy, is perhaps best known for his definition of postmodernity as “incredulity towards metanarratives.” This claim, understood as a statement abjuring absolute truth-claims, has produced a certain notoriety both for Lyotard and for Postmodernism in general amongst Christian thinkers and theologians. This paper first examines Lyotard’s argument regarding metanarratives with an eye toward clarifying what it rejects and what it overlooks. Second, this paper argues that where Lyotard’s presentation challenges a modern philosophical paradigm, it (unintentionally) carves out a space in the contemporary conversation for Christian witness, both in historic communal Christian practices such as singing, testimony, and recitation of credal statements as well as in evangelism and apologetics. Finally, a case is made specifically for the use of artistic narrative as a means of Christian witness in a postmodern cultural context. Far from asserting a metanarrative in the Lyotardian sense, Christian stories testify of a lasting community of faith in a God who was and is and will be.