‘Fill the Room’ or ‘Cover the Earth’?: The Proprietarization of the Glory of God
This paper aims to propose a lyrical theology methodological analysis for contemporary praise and worship music (CPWM) from within its own theological framework. Others have written on the history of CPWM as well as conducted analytical research ethnographic and quantitative research into worship experiences and songwriting. Still others have critiqued CWM for its continuationist or … Read more